FHH | Watchmaking’s future is one of colour and texture

WATCHES AND WONDERS 2025. WATCHES AND WONDERS 2025. WATCHES AND WONDERS 2025. WATCHES AND WONDERS 2025. WATCHES AND WONDERS 2025

COLOURS AND TEXTURE. COLOURS AND TEXTURE. COLOURS AND TEXTURE. COLOURS AND TEXTURE

13 June 2025

Watchmaking’s future is one of colour and texture

Collection

by Christophe Roulet

Dials took top billing at Watches and Wonders Geneva 2025. Brightly coloured, in pastel shades, stone or textured, new releases put their best face forward.

While the vast majority of enthusiasts pay attention to the movement that powers their watch, it’s not only what is beneath the dial that counts. The dial itself, the “face” of the watch, must also appeal and not simply for the layout of the various functions. While the classic black, white or blue dial continues to account for around half of current production, the other half is wide open to alternatives that are steadily gaining ground. 

Brands first ventured into this terrain with interchangeable straps, now a staple of many collections. The possibility to swap metal for fabric, recycled materials for leather (or vice versa), and most of all the vast palette of shades on offer, confirmed that watch buyers like to be given choice. Clothes are one way we change our image and the same holds true of the watch’s outer persona. Equipping the same model with different dials creates the impression of a completely new object, adds depth to a collection and, at the same time, extends its appeal to a broader audience. Genderless models are also driving the trend.

Heart of stone

There was a welcome diversity of dials from the brands exhibiting at Watches and Wonders Geneva this year, beginning with gemstones. Piaget was first to grasp the enormous potential of these ornamental stones back in the 1960s. At the height of Swinging London and Pop Art, Piaget dials in onyx, malachite, cornelian, turquoise or lapis-lazuli were as creative and unconventional as the era itself. Some sixty years on, Piaget came to Geneva with Andy Warhol models featuring dials made from opal, tiger’s eye or blue, white or green meteorite. What more fitting emblem than this 1972 design which, notes the brand, “stands in recognition of the genuine and long-lasting friendship Yves Piaget and Warhol enjoyed since they met in the United States.”

Piaget Andy Warhol Collection

Piaget Andy Warhol Collection

Nor is Piaget alone in its explorations of mineral matters. Hot on its heels are Bulgari, Zenith, Chopard and, most noticeably, H. Moser & Cie., which describes its stone dials as “more fun, more pop, more unexpected than ever. Fine stones and coral essences adorn the dials of the new Endeavour Pop collection in an explosion of colour. Minimalism finds a new dimension, where the material itself becomes the ultimate expression of design.”

An explosion of colour, indeed. Colourful dials were everywhere to be seen at the Geneva fair. Soft pastels for Bell & Ross, Hublot, Oris and Parmigiani. Sandy shades for Baume & Mercier and Genus. Vivid red at Hublot, Rolex, Tudor and TAG Heuer. Eight different colours for Nomos’s Club Sport Neomatik Worldtimer. Green at Chopard, Hysek and Norqain, neon yellow at Gerald Charles, chocolate for A. Lange & Söhne, rosy hues at Czapek… In the words of Nomos, describing its limited-edition Worldtimer, it’s all about finding the watch that represents your world. One that recalls “a favourite place, family around the world or a dream destination.” The colours of life.

Minimalism finds a new dimension, where the material itself becomes the ultimate expression of design.

From H. Moser & Cie.

Takes on texture

Equally as important as colour are textures and here too, brands showed no lack of imagination. Alpina has stamped the Alpiner’s dial with a pattern of triangular shapes. The dial on Chopard’s Alpine Eagle 41 in platinum employs a radial stamping technique to imitate the bird’s iris in an original “ice blue” shade. Chronoswiss enlists “laser-engraving and ten layers of nano-printing” to produce a three-dimensional surface that mimics the shifting textures of desert sand. At Czapek, a “complex stamping process” creates the illusion of fabric gathered into pleats. Parmigiani Fleurier also makes use of stamping techniques as does Chopard, to create a “sanded” texture. Genus, meanwhile, has opted for a hammered texture, as has H. Moser & Cie. whose white gold dial is hammered then Grand Feu enamelled with six layers of pigments to produce a gradient effect. Elsewhere, Montblanc reprises the gratté boisé technique to enhance the dials of its Iced Sea dive watches. Even more unusual, the dial of Cartiers Santos Dumont XL in rose gold has both the colour and texture of linen.

Making its debut, Rolex’s Land-Dweller sports a dial with a raised pattern of stylised honeycomb cells. As the brand explains, “its creation calls on traditional craftsmanship and high-technology methods, all mastered in-house. Time-honoured techniques are employed for the dial surface finishings: a fine satin finish for the intense white dial and a sunray finish on the ice blue version. The honeycomb structure is cut with a femtosecond laser, which is also used to etch the delicate lines in the grooves between each cell.” Demonstrating similar attention to detail, the engraved horizontal waves on the dial of Speake Marin’s Golden Ripples are satin-finished and varnished by hand to catch the light. Just some of the dial delights served up at Watches and Wonders Geneva.